Excellent collection of recent work from Antwerp’s Daniel Renders aka Cassis Cornuta, a European thinker who took a similar aesthetic stance to early Nurse With Wound and The New Blockaders way back at the dawn of the 70s, making anti-music, noise and art-prank statements using broken turntables, Korg synths, vacuum cleaners, fucked-up pianos, microphone feedback, primitively executed sound poetry and industrial debris purloined from Smegma. Cornuta’s story makes for a fascinating secret history that sheds further light on the culturally decimating power of avant garde theory in the hands of punk primitive kids, documenting a dramatic cultural engagement played out across countless long-lost cassettes and private performances. This new Ultra Eczema collection gathers material recorded between 2005 and 2009 and it’s dominated by lonely/minimal analogue keyboard work that comes out of the same solitary universe as Edmond De Deyster (indeed one doughball has already suggested they are one and the same person) while combining cracked drum machines, gurgling melodies and that classic fried middle-European avant punk appeal. A fantastic collection, edition of 300 copies with inserts and with multiple holes punched in the centre, should you want to skew the sonics even further. Highly recommended.