Volcanic Tongue Catalogue

Thurston Moore
Built For Lovin’

Lost Treasures Of The Underworld No Cat

Pic Disc LP
£18.99


Most manic solo album from Thurston to date, with a grab-bag of assorted fucked-up sonic stratagems including a buncha lost noise B sides, a basement jam with John Moloney of Sunburned Hand Of The Man on drums and Mark Ibold on bass, a demo for an HSBC ad with Steve Shelley on drums, acoustic jammers, wonky percussive guitar instrumentals that sound like a No Wave take on the melodic minimalism of Kraftwerk or Harmonia, hyper-sexed porn video cut-ups and a swanky picture disc that matches a swinging chick with a porky Lou Reed. What more could you ask for? Edition of 500 copies and already completely sold out at source.

Our Love Will Destroy The World/Bark Haze
Split

Krayon Recordings No Cat

7”
£5.99


Split 7” featuring a single electro-acoustic drone work from Campbell Kneale of Birchville Cat Motel’s new project - the kind of fluffy bell-tone/metal levitation previously the domain of Matthew Bower’s Sunroof! - while the flip features Thurston Moore and Andrew MacGregor (aka Gown) power-thinking their way through heavy feedback/rock moves.

The New Blockaders/Thurston Moore/Jim O'Rourke
The Voloptulist

Hospital Productions HOS-144

CD
£8.99


Dream-team hook-up between a trio of the most important free-noise theorists of the modern age, the UK's New Blockaders and Thurston and Jim of Sonic Youth et al. Hard to work out who is doing exactly what here - though the presence of drummer Chris Corsano on the second track is pretty unmistakable - but the overall feel is of one of TNB's early Symphonie X works populated by thin strings of feedback, the crackle of electronic jack-to-jack friction and a subtle ring of bone. Beautifully eerie and a little more pro-drone than the bulk of TNB's work. Second track is just unbelievable, with a slow hiss of feedback torn apart by Corsano's triumphal, spirit/energy scattershots, marching a legion of ghosts all the way over the horizon. Highly recommended.

JD King & The Coachmen
American Mercury

Ecstatic Peace E#99c

CD
£8.99


Brand new album from a primarily-instrumental avant garage group led by outrÇ illustrator, cultural polemicist and high-energy rocker Mr JD King. Back in the darkest pre-Sonic Youth years of the underground, Thurston Moore was a member of The Coachmen and on Failure To Thrive (issued by New Alliance somewhence back in time) they cut tough Neon Boys-style punk slouch with electric Modern Lovers moves and all the under-the-counter-culture brains of Television. A buncha years later and the group may have lost Thurston but they have remained faithful to a particularly suburban punk/Creem magazine take on avant rock modes. And it still sounds *Right*.

The Bark Haze
Total Joke Era

Important Records Imprec-127

CD
£3.99


Debut CD from this new guitar duo featuring Thurston Moore and Andrew from Gown. Tracks slowly spool from small sounds generated by the furthest reaches of the instrument - the crackle of jack sockets, strings clipped against pick-ups - through to the kind of slowly modulating chord barbs that launched a bunch of Sonic Youth songs circa Daydream Nation. Cover art by Bill Nace of Vampire Belt et al.

The Bark Haze
LP

Important Records Imprec-128

LP
£10.99


Limited edition of 1000 LP, already sold out at source, from the new duo of Thurston Moore and Andrew from Gown. Featuring completely different material from the Total Joke Era CD, this sees them joined by Pete Nolan (Magik Markers/Vanishing Voice/Spectre Folk et al) on drums on Side B. Three heavy guitar madrigals scored for feedback and crunch.

Paul Flaherty/Thurston Moore/Bill Nace
s/t

Ecstatic Peace E#21e

CD
£9.99


Torrential three way free jazz/rock pile-up that tracks all the way back to Thurston’s epochal Barefoot In The Head date with Sauter and Dietrich while instant-visioning the future via minimal, psychedelic interventions, classic Sonic Youth-sounding guitar clank and explosive sax/string bulldozing. Some of the playing here is straight-up gorgeous, with the way the group build luminous form from a bed of hovering guitars and Flaherty’s bold tenor sax form sounding like a classic late-Coltrane take on devotional hymn forms. Bill Nace (Vampire Belt/Northampton Wools et al) and Thurston’s guitars are often indistinguishable, with Nace’s up-close modified guitar style pulling Thurston into gravities of microtonal detail and subtle textural invention while Flaherty takes the lead and just bleeds all over the goddamn room. A fantastic set, way more than a mere jam, and one that feels sourced from deep inside the classic free jazz tradition. Recommended.

Traum/Bark Haze
Monolith: Jupiter

Music Fellowship MF-39

One-Sided Pic Disc LP + CD
£14.99


Wild pairing of two improvised/destructo units – Bark Haze (aka Andrew MacGregor of Gown and Thurston Moore of Sonic Youth) and Traum (Ben Hall of Graveyards and Zac Davis of Lambsbread). The deal is that both groups contribute a bunch of tracks without hearing what the other has done and then both recordings are cut onto the same side of an LP on top of each other. With each group hard-panned to the left and right channels you have the option of either listening to one of the performances by adjusting your stereo panning or leaving it right in the middle and hearing both groups simultaneously. The Bark Haze tracks – including a title, “Lou Reed Is A Creep”, lifted straight from The Dictators – are some of their most minimal drone-based moves, with thrumming electric guitar submerged in feedback and low-end violence. The Traum pieces are more spacious post Bailey/Oxley styled improvisations that veer into the more barbarous early Royal Trux style. Played together it makes for the kind of delirious headclash of Ornette Coleman’s Free Jazz recording, with players seemingly responding to each other across time and space and the whole thing building to a beautifully confusing knot. Excellent. Bonus CD makes for a handy way of checking out the individual tracks for when you’re too wasted to pan. Edition of 500 copies, one-time only pressing.

Yoko Ono/Kim Gordon/Thurston Moore
YOKOKIMTHURSTON

Chimera Music CHIM010

CD
£13.99


Inspired trio jams from the Sonic Youth frontline w/Yoko on vocals: this set is not what you might at first expect and it’s all the better for it. I had kinda imagined a free-form blow-out with Yoko power-screaming over the top ala Junko w/Hijokaidan but there’s a lot more subtlety, atmosphere and feeling to the recording. Kim and Thurston play in a very minimal, textural style, recalling early SY circa Evol or even Bad Moon Rising while Yoko works soft hypnotic poetics over the top. And her vocals are uniquely powerful, balance the blurring of comprehension and the breakdown of language with startling moments of personal confession, nowhere more so than on the stunning “I Never Told You, Did I?” a track that is as unnerving as her take on marriage and responsibility and the impossibilities associated with both on Fly’s “Mrs. Lennon”. A singular entry in all three players’ catalogues and highly recommended.

Mats Gustafsson & Thurston Moore
Vi Ar Alla Guds Slavar

Otoroku ROKU-07

LP
£16.99


Killer live set from Thurston and Mats in an edition of 1000 copies: recorded live at London’s Cafe Oto, Vi Ar Alla... takes of where Thurston’s signal recording with Don Dietrich and Jim Sauter, Barefoot In The Head, left off, with Mats using reeds and electronics to demolish Thurston’s wild, bass heavy divebombs. Indeed, the pair get into some major gravity-defying/gridlocked drone work, with the sound of overloaded amplifiers and air raid tones giving way to long passages of lyrical feedback and levitating horns. On 180g vinyl. 

Thurston Moore/Jean-Marc Montera/Lee Ranaldo
Les Anges Du Peche

Dysmusie DYSLP-1

LP
£17.99


Beautiful three-way guitar album that sees Thurston and Lee of Sonic Youth in complete communion with the great French avant guitarist and improviser Jean-Marc Montera: two sides, two duos, with the first set featuring Ranaldo and Montera and the second Moore and Montera. The Ranaldo side is an absolute stunner, re-formulating decades of string think into a sound so beautiful it feels exactly like that Lester Bangs line about how the intro to “All Tomorrow’s Parties” sounds the sunlight climbing red brick tenement walls in New York in the early morning. The duo flit between almost Evol levels of abstract string drone and roaring aformal excess to the kind of heartbroken slow-motion lyricism of a Loren Connors. The Thurston side gets a little more barefoot in the head, with Montera ripping through the kind of bastardised blues licks of contemporary Fushitsusha while Moore uses the guitar as an electric lightning rod, w/levels of string dunt that are pure Red Transistor. Totally fantastic, one of the best ‘free’ Sonic Youth off-shoots and a great showcase of Montera’s advanced string-thought. Comes in gorgeous gatefold sleeves with great extensive sleevenotes and detective work by Philippe Robert. Highly recommended!

Anne Waldman
Oasis At Biskra

Taping Policies TP#7

Cassette
£9.99


Limited edition of 150 copies cassette featuring poet, original Angel Hair founder and Naropa/Jack Kerouac School Of Disembodied Poetics professor Anne Waldman reading and singing with Thurston Moore on guitar, Daniel Carter on saxophone, Ambrose Bye on synth and Devin Brahja Waldman on saxophone: Waldman’s poems and readings have a cantorial musicality and an alternately apocalyptic and body Gnostic approach, bringing great ascensions of epiglottal passion to play on shamanic word gambits and visions of Ginsberg-ian cycles of eros, cosmos and thanatos. Carter sounds alternately haunted and inspired, playing in a ghostly, lamenting style before the whole group come crashing in, with Thurston playing w/the kind of overamped freestyle that would give the cassette the feel of a live Universal Mutant Repertory Company freak. Comes with a free download. Fantastic. 

Thurston Moore & Margarida Garcia
The Rust Within Their Throats

Headlights LPH-21

LP
£21.99


Stunning new limited edition LP on Portuguese avant guitarist Manuel Mota’s private imprint in an edition of only 299 copies that pitches the mile-deep bass stylings of Portuguese bassist Margarida Garcia against Thurston Moore of Sonic Youth’s electric guitar: this is one of the most radically styling of free improvised face-offs from Thurston in an age, with Garcia’s incredible earth-shuddering electric bass stylings evacuating all sorts of doomy sonic sub-spectra that opens up a weird vortex that is part classic guitar-smashing EVOL-style improv, part avant cosmo gobbling ala the tactile string work of Dumitrescu or the early music sawing of a Third Ear Band and part the kinda naked on the lip of the void free jazz drone of the classic Barefoot In The Head side cut with Sauter and Dietrich. Thurston plays in a textural style but with a whole lot of actual bite, drumming up venomous string combinations and hovering over halos of electricity while Garcia sounds like she is burrowing her bass straight through the floor, creating the kinda polmorphously perverse shapes that suggest deep, organic activity. But really this one feels like the between song jams of the EVOL years extended to the point of full free compositional motherlode, with a psychedelic depth that could almost be Tokyo. Love this, beautifully packaged, very highly recommended!