Volcanic Tongue Catalogue

Various Artists



A compilation that culls tracks from a series of ‘lecture concerts' that took place between September 2003 and February 2004 at Mesar Haus, Tokyo. Kicks off with a fantastically dense hurdy-gurdy drone from Keiji Haino and also features tracks from guitarist Kazuo Imai, pianist Junichiro Okuchi, shamisen master Michihiro Sato, turntablist Otomo Yoshihide and saxophonist Masayoshi Urabe.

Ikuro Takahashi
Picnic On The Quicksand (Oscillators In The Studio)

Galleria Zarigania No Cat


Original two-track 2007 release w/colour sleeve of this massive/obscure solo set from Japanese underground legend Ikuro Takahashi (Fushitsusha/Kousokuya et al) here making violent Industrial noise w/heavy meta oscillator attack. Long OOP. 


Eine Kleine Nachtmusik 003


Numbered edition of 500 copies in hand-stitched embossed art paper sleeves from Ikuro Takahashi’s (Fushitsusha/Kousokuya et al) own private press. This is another major archival release from the vaults of the Japanese underground, documenting a group led by Tori Kudo (Maher Shalal Hash Baz/Noise/Guys ‘n’ Dolls et al) on piano and featuring Kanji Nakao (Compostera) on saxophone, Yoshi Kuge (Compostera) on drums and Takuya Nishimura (Che-SHIZU) on bass. This is the closest that Tori has ever come to cutting a free jazz album, though it’s inevitably a couple of sails more skewed than a simple investigation of the elasticity of genre. Nakao is a fantastic player, now a model of control, now barking through the low register like a headier Sonny Rollins and Tori pushes him the whole way, pursuing ideas with big barracking chords and dancing around the themes with ploy-rhythmic re-statements. There’s a nice, dusty feel to the recording, a time machine aspect that seems to lend it an extra layer of poignancy while the tough/tender interaction perfectly captures that sublime happy/sad feel of all of the best Maher/Tori sides. Two concerts are included, one from 1995 and another from 1996. Many fantastic hitherto-unknown releases appearing from the mists of the Tokyo underground of late and this is another highly recommended installment.