Volcanic Tongue Catalogue

The Friday Group
Who Wants To Look At A Bunch Of Broken Pottery When You Can Haul Ass Down The Freeway

Wholly Other No Cat

One-Sided Picture Disc LP
£16.99


All proceeds from the sale of this release will go to Tom Carter. Read more about the appeal here: http://www.volcanictongue.com/tomcarterappeal


Edition of 214 one-sided LP with blood red silkscreened flip. Looped and live collaged ritual atmospherics and crude guitar/drum psych stand-offs that orbit a similar zone to early NNCK from a group that feature Tom Carter of Charalambides, Shawn McMillen (Ash Castles On The Ghost Coast), Brian Smith (Iron Kite et al) and Blake Carlisle. Less drone-focussed than previous releases and deeper into a kind of savant ESP Disk Godz/Fugs séance style.

Charalambides
Ana/Kata

Beta-lactam Ring Records BLURR-2002

10"
£8.99


2002 10" from the world beating Charalambides trio of Tom and Christina Carter and Heather Leigh. Two beautiful improvisations that float electric string violence into barren desert territories. Hand-numbered edition of 500 copies. OOP.

Various Artists
In Support Of Tom Carter

Was Ist Das?/Hibernate Recordings No Cat

CD-R
£9.99


All proceeds from the sale of this release will go to Tom Carter. Read more about the appeal here: http://www.volcanictongue.com/tomcarterappeal


Limited benefit CD-R arranged by the Hebden Bridge squad in less than 24 hours after Charalambides were forced to cancel their show there due to Tom Carter’s sudden illness, all proceeds going directly to Tom: tracks from Ashtray Navigations, Neil Campbell, Spider Stacey, Dylan Nyoukis, Bridget Hayden, Astral Social Club, Rick Tomlinson, Konntinent, High Aura’d, Listening Mirror, Will Bolton, Isnaj Dui, Kyle Bobby Dunn, The Failed NASA Experiment and Caught In The Wake Forever. 

Eleven Twenty-Nine
In The Sunlight

Drawing Room Records DR-00002

7”
£6.99


All proceeds from the sale of this release will go to Tom Carter. Read more about the appeal here: http://www.volcanictongue.com/tomcarterappeal

Excellent new jukebox 7” from the duo of Tom Carter (Charalambides) and Marc Orleans (Sunburned Hand Of The Man), here joined by Betsy Nichols (Michael Hurley) on vocals and Michael Evans on drums for a full-band sound: very different in tone and attack from their Northern Spy LP, this is fantastic set of vaguely country-tinged hunch and European psychedelic volk. The a side is a gorgeous composition by Tom with his and Betsy’s vocals intertwining with alla the beauty of Gila’s classic Bury My Heart At Wounded Knee before Tom makes with a wild psychedelic fuzz solo. Orleans’ track on the flip has a fantastic sepia-toned early SF feel that’s somewhere between the original Charlatans, the International Submarine Band and early Dead. Totally great. More please!

Badgerlore
Stories For Owls

Free Porcupine Society FPS-012

CD
£10.99


All proceeds from the sale of this release will go to Tom Carter. Read more about the appeal here: http://www.volcanictongue.com/tomcarterappeal

 

Original CD edition of this 2005 release from Badgerlore that saw them operating as a quartet featuring Tom Carter of Charalambides, Ben Chasny of Six Organs Of Admittance, Pete Swanson of Yellow Swans and Rob Fisk of 7 Year Rabbit Cycle. Tracks move from the kind of staggered blues/bliss ragas originally formulated by Charalambides through all-vocal murk ala Skaters/Gyuto Monks.

Eleven Twenty-Nine
A Tithe To Hell

Drawing Room Records No Cat

LP
£14.99


Massively heavy Satanic downer psych vibes on this 2014 album from Tom Carter (Charalambides) and Marc Orleans (Sunburned Hand Of The Man) now an avant/country/rock trio bolstered by Michael Evans on drums: if you’ve caught any of the recent solo blats from Tom Carter since his return to health and playing live then you’ll know that that these days his guitar is fully set to shred and this is a stunning document of two string-thinkers working with maximal freedom and organic rhythms. Tracks marries Orleans great fingerpicking style – which comes from a similar place to Glenn Jones – to Tom’s wild west coast style. Later tracks explode the blueprint even further, marring a 90s underground feel for squeal with an immolating post-Sonny Sharrock aesthetic and a ton of thud and electricity.