2006 Sub Pop album from the Wolf Eyes trio of John Olson, Nate Young and Mike Connelly, mixed by former member Aaron Dilloway, the official follow-up to Burned Mind. The preceding Human Animal 12" gives a good snapshot of the kind of blasted topography that the group map out here, with the first half of the album given over to the kind of eerie midnight stasis sound of the group circa River Slaughter albeit given a hi-fi upgrade and new depth of field via slow smokes of drone and viper-shots of electronics. The drum machine is at its most space-puncturing, firing repeat beats into cloaks of doom while Olson works serpentine sax patterns into steel helixes somewhere at the bottom of a ventilation shaft. One track features creeped-out spoken word narration, while over on the flip/later tracks the group move into full pit-pounding mode with assaultive nod-out rhythms and Nate's insane post-Iggy vocal shred moves foregrounded by a ton of metal. Exactingly programmed, this is the one to peak with. Highly recommended. Vinyl edition limited.

Live recording of a pre-Basketcase group called Mr Asthma from sometime before 1999, re-worked and edited by Nate Young of Wolf Eyes in 2008. Their sound was more Industrial and junk yard than many of their contemporaries, applying blast furnace walls of feedback and F/X to the clank of metal on metal, hulking rhythms, bowed strings, loops and TG-styled head-hunting horns, all applied with a classic American Tapes-style feel for dislocated drone thunder.

New album from this solo synth/electronics project of Nate Young of Wolf Eyes. Two tracks, one an eerie duo performance from Young and Max Eisenberg recorded live in Detroit 2008, the second a trio set featuring Young, Eisenberg and Twig Harper of Nautical Almanac.

New jams from the duo of Nate Young (Stare Case/Wolf Eyes et al) and David Shettler. They call it ‘new British blues’ but the sound draws more on early Heldon’s combination of propulsive electro/rock dynamics and dark/kosmische synth damage. The drum machines have a lightness of touch that situates them in a parallel universe to Wolf Eyes’ pummelling beats, w/a trippy, psychedelic edge while the keys skirt infinite repeat patterns and nagging two/three note melodies before dissolving in chattering clouds of delay. Aspects of Nurse With Wound and Nord combine to knock the set sideways into an exploratory/surreal Industrial tributary.