Limited edition of 200 copies, on Daniel Lopatin/Oneohtrix Point Never’s label. Innercity is Hans Dens, a member of the Dreamtime Tapes Sounds community alongside Lieven Martens/Dolphins Into The Future et al. His sound is based around degraded loops and minimal keyboard sighs, generating oceans of sound that are dense with weird, sub-aquatic life-forms. The main thrust of In Fetal Aura is a recreation of pre-birth states and womblike stasis using repetition, sublimation and disarticulated sound and there’s a grainy complexity to his compositions that is close to William Basinski. “Innercity is the brainchild of Belgium's Hans Dens, a wiz from the Dreamtime think tank who has been prodigiously translating his vision journeys to DAT since 2008... anyone familiar with 666 MINUTES AT BOTTOMS OF BLACK LAKES will understand IN FETAL AURA as a natural outgrowth of his process, refined via the destruction and adaptation of loop based bedroom concrete, kraut and new age towards an auditory dreamsystem language all his own. He's also the barron of nu school Bontempi BT series jammage; the Italian stepchildren of the Casio MT series, imbued with aliased, bit damaged refuse from a time when things were simpler. IN FETAL AURA is a trip; a moving picture of animate life in pre-semiotic states of development. Within that trip Innercity reflects biological diversity in spirit form, beautifully shifting from one amorpha to to the next via repetition and mutation, like spirits basking in the coptic glow of life before consciousness. Don't fear the path to amnesia; an infinite patch wipe.. the incomplete return.” – DL

Edition of 200 copies CD-R on Daniel Lopatin aka Oneohtrix Point Never’s own label. Dog Master Teleportation – aka DMT – presents music reformulated and overdubbed by a quartet of players, including KGB Man (aka Daniel Lopatin), Shaun Trujillo, J. Glennon and P. Giordano. The music is minimal, with translucent electro-stylings that feel like the extracted DNA of lush synth soundtracks isolated and made sidereal using extreme compositional process. All the recordings pre-date the OPN LPs and they cover a fairly wide spectrum, from punked 20^th century avant garde moves to Industrial-scale electro confusion. “Manic Shooter's DMT is sonic weird hieroglyphs from combination Taos, New Mexico and Long Island; the hybrid of which mirrors the effect... bent clues will set you on a path while others are meant to deceive you. Powerlines whisper instructions in a non gendered voice. Mystical Hasid rapper vaporizedendlessly in interlocking dimensional mechanism. Remember this was during the initial Bush era, pre-dating 911 and thus Junior's eyeballs hadn't yet been upgraded to format terrestrial. Mirror plates in the eye cavity is how they found terrorists. Shooter was the first to command green missle control, similar to a Tartan warrior he refracted the beams himself and thus took the problem into his own hands. DMT is an in and out enhancement of this frightening time, as if the lingering confusion of a post-Inside Edition childhood had naturally spawned the devastated political mis-en-scene, building up to the 911 simulation telecast we witnessed while en route to Yusef Lateef's class when we got word of the attacks. This is also a historic document containing some of the first ever KGB MAN overdubs, as well as marking the first time in RIAA history that anyone has ever exclusively fucked with Prince of Darkness and Alphaville on a sampling level, but beyond recognition, musique concret style, plus a touch of cartoon Skinny Puppy meets Mike Patton isolated in a hotel room with a portastudio while on tour with Bungle in '97 vibes. I have recommended Trujillo to be committed to the Material Eye Institute for dog master evaluation. Enjoy it while you can and as Lou said, "watch out for worlds behind you." – DL.

Limited edition of 200 copies CD-R on Daniel Lopatin of Oneohtrix Point Never’s own label. Monolithic Kraut styled electronic jams from the duo of Keith Fullerton Whitman and Geoff Mullen. “Geoff Mullen and Keith Fullerton Whitman welcome you to the new-domestic. The moving hallway is dotted with TIF frames and leads you to a center room location radiating with CMYK hum. This sonic-grand-tour was recorded live to glass, over one day in Providence, Rhode Island; a machine groove epic in movements that offers up total sonoronarrative immersion while kindling thoughts of Paul Verhoven-like industrial safehouses in which doomed plans are made. Coming from inside the walls of this micro-future, GM/KFW surge a permeating drive that shows lost footage and reveals forgotten locations, levels below. The CS-50/MT-68 combo-splices finally unveil the screen -- tomorrow into Gateway. The chimes from within lead you deeper and the screen behind you shuts off. The finale take on almost a dare I say Haruomi vibe; west meets east without overt crystallization of dialectic black helicopters and blurred out kanji. Nice and wide and deep stereo balance to boot. Seminal synth war/drama action from East coast legends that commit to the landing and stick it.” – DL.