The Seattle-based all-tape label Since 1972 is one of the most consistently scorching underground imprints, with an old-school/Industrial approach to packaging that involves cassettes in black cases bundled with Xeroxed cover art that is as primitive (and as beautiful) as a fist. This one presents a live set from Mike Connelly of Hair Police/Wolf Eyes alongside John and Tovah Olson's Dead Machines project. OOP.

The Seattle-based all-tape label Since 1972 is one of the most consistently scorching underground imprints, with an old-school/Industrial approach to packaging that involves cassettes in black cases bundled with Xeroxed cover art that is as primitive (and as beautiful) as a fist. This latest volume in Mike Bernstein of Double Leopard’s on-going frozen loop series plots a similar minimalist burn-out to Maurizio Bianchi’s recent work, with clusters of single note piano gathered in huge repeating hives. A beauty and another tough-to-locate piece of this whole static puzzle. Limited.