Chaw Mank is Brian Sullivan, guitarist and vocalist with Mouthus in the company of the Sightings duo. Volume 1 presents a muscular spin on established Mouthus stop-motion murk strategies with spools of rusty repeat blown to flesh by some devastating rock damage. Highly recommended.

LP from Mouthus that might be their most devolved circumnavigation of rock from to date. The guitars are impossibly impacted, muffled sandpaper huffs that move in tectonic slugs while the drums shrug between boings of tone-pad squelch, electrified steel-band ceremonials and primitively executed power stomps. This kinda profound retro-futurist refusal lines em up with a buncha modernists like Chrome, TG and even live Mars but there’s something in the distant, hiccupping vocals and the generally manhandled atmosphere that sounds like a more drug-degraded take on the kinda hillbilly scorch that Alpo-era Cheater Slicks occasionally delivered on. If you like yr rock gasoline-damaged to the point of almost-intelligible, stick out your cans. Limited edition of 500 copies in art sleeves released on the group’s own private press imprint.

New self-released solo album from Brian of Mouthus featuring some acoustic led thunder ballads that sound as if they are played with the last stumps of his fingers through to hurricane force post-Industrial blues jams that cross the malevolent occult power of mid-period Swans with laminal arrangements of fuzz and drone.

New limited, self-released collaborative album from Brian Sullivan of NY rock behemoths Mouthus and Karl Bauer’s Axolotl project. A series of abstract sound works that run from drugged, slowed down vocals through subterranean vats of water and drone ala HNAS’s early recordings, heavenly shortwave codes carved into rusty Industrial miniatures and perfectly nuanced reconciliations of Axolotl’s high, religious sound and Mouthus’s low-slung urban crank.

Great fuzz-encrusted monolith guitar duel from these two solo basement/psych units, Brian Sullivan of Mouthus’s Eskimo King and Zac Davis of Lambsbread’s Sky Juice persona. This is heavy gravity guitar oblivion the whole way, with what sounds like the first power chord from The Stooges’ “Little Doll” obliterated with a combination of slowly imploding wah-wah gnosis and malformed power-chord epics. Second track sounds like a fleet of motorbikes fitted with tremolo arms. Classic stoned guitar.

Limited edition tour collage/mash-up from the duo of Brian Sullivan and Nate Nelson. This one is even more out of focus and malformed than the corpus of their back catalogue, with vague thunder clouds and fucked-up electro percussion floating the ghost of Alan Vega through sheet metal memories of the TG 24 cassette box.

Self-released album from this Mouthus/Double Leopards supergroup featuring botha Mouthus and Mike and Maya from Leopards. Sound is as beautifully Euro-fixated as the recent Religious Knives stuff, with soft oceans of glazed 1970s synth patterns washing across the backs of yr eyelids like the Cosmic Couriers play the brain scores of Terry Riley and Klaus Schulze. A beautifully pink stone and highly recommended for fans of soft dopey muzz.